The nation's favourite annual guide to the short story, now in its tenth year. Best British Short Stories invites you to judge a book by its cover - or, more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Featuring: Richard Lawrence Bennett, Luke Brown, David Constantine, Tim Etchells, Nicola Freeman, Amanthi Harris, Andrew Hook, Sonia Hope, Hanif Kureishi, Helen Mort, Jeff Noon, Irenosen Okojie, KJ Orr, Bridget Penney, Diana Powell, David Rose, Sarah Schofield, Adrian Slatcher, NJ Stallard, Robert Stone, Stephen Thompson and Zakia Uddin.

Kings, lords, liars, usherettes, goal-hangers, gun-men and prostitutes, Whether or not these stories bear any relation to life as it is lived in Endland (sic) is not my problem and good riddance to all those what prefer to read about truly good, lucky and nice people - you won't like this crap at all. A comical and brutal weave of parables gone wrong, Endland holds a broken mirror to England. In its garish but strangely familiar world of empty tower blocks, 24-hour cyber cafes and bomb sites, a motley collection of misfits, wanderers and charmed drunks do their best to survive. Nothing is stable in Endland and what's more, the gods have started drinking at lunchtime, which can only lead to trouble. Conjured in a mix of slang, pub anecdote, folktale and science fiction, Endland is the nightmare unfolding just outside the window - a glitchy parade of aging bikers and ghost children, cut-price assassins and witless wannabe celebs. The world fashioned by Thatcher, Google, NATO, ICANN, Brexit, Big Brother, Bin Laden and Trump needs new narratives to make sense of it. In Endland, with feverish wit and a broken compass, Etchells unpicks the myths and strange realities we're caught up in.

'Certain Fragments . . . illuminate[s] . . . the more interesting aspects of contemporary British theatre.' - David Pattie, New Theatre Quarterly

Known for both its industrial roots and arboreal abundance, Sheffield has always been a city of two halves. From elegant parks and gardens to brutalist high-rise estates and the hinterland nightclubs of 'Centertainment', it is a city caught between the forges of the past and the melting pot of the present. Bringing together new short stories from some of the city's most celebrated writers, The Book of Sheffield traces the contours of this complex landscape from both sides of the economic dividing line. From the aspirations of young creatives, ultimately driven to leave, to the more immediate demands of refugees, scrap metal collectors, and student radicals, these stories offer ten different look-out points from which to gaze down on the ever-changing face of the 'Steel City'.

Drawing together the work of 10 leading playwrights, this National Theatre Connections anthology features work by some of the most exciting and established contemporary playwrights. Gathered together in one volume, the plays collected offer young performers between the ages of 13 and 19 an engaging selection of material to perform, read or study. Each play has been specifically commissioned by the National Theatre's literary department with the young performer in mind. The anthology contains 10 play scripts; notes from the writer and director of each play, addressing the themes and ideas behind the play; and production notes and exercises for the drama groups. This year's anniversary anthology includes plays by Suhayla El-Bushra, Anders Lustgarten, Robin French, Tim Etchells, Patrick Marber, Kellie Smith, Lizzie Nunnery, Harriet Braun and Alistair McDowall.

This diverse anthology features eight contemporary plays founded in testimonies from across the world. Showcasing challenging and provocative works of theatre, the collection also provides a clear insight into the workings of the genre through author interviews, introductions from the companies and performance images which illustrate the process of creating each piece.""Bystander 9/11 by Meron Langsner is an impressionistic but wholly authentic response to the catastrophe as it unfolded and in the days following. "Big Head" by Denise Uyehara is an interrogation of current perceptions of "the enemy now" as seen through the lens of Japanese American internment during World War II. Urban Theatre Projects' "The Fence" is a tale of love, belonging and healing. It is a tender work that looks at the adult lives of five family and friends who spent their childhoods in orphanages, institutions and foster homes in Australia. "Come Out Eli" Christmas 2002 in Hackney, London, saw the longest siege in British history. Using interviews collected at the time and further material gathered in the aftermath, Alecky Blythe's play explores the impact of the siege on the lives of individuals and the community."The Travels" members of Forced Entertainment undertook a series of journeys during one summer, each travelling alone to locations in the UK to complete tasks determined only partially in advance. This began a mapping process and the creation of a landscape of ideas, narratives and bad dreams."On the Record" by Christine Bacon and Noah Birksted-Breen circumnavigates the globe to bring true stories from six independent journalists, all linked by their determination to shed light on the truth.Created by Paula Cizmar, Catherine Filloux, Gail Kriegel, Carol K. Mack, Ruth Margraff, Anna Deavere Smith and Susan Yankowitz, "Seven "is based on personal interviews with seven women who have triumphed over huge obstacles to catalyse major changes in human rights in their home countries of Russia, Pakistan, Nigeria, Northern Ireland, Afghanistan, Guatemala and Cambodia."Pajarito Nuevo la Lleva: The Sounds of the Coup "by Maria Jose Contreras Lorenzini focuses upon sense memories of witnesses who were children at the time of the 1974 military coup in Chile.

How can an understanding of theatre in the city help us make sense of urban social experience? Theatre& the City explores how relationships between theatre, performance and the city affect social power dynamics, ideologies and people's sense of identity. The book evaluates both material conditions (such as architecture) and performative practices (such as urban activism) to argue that both these categories contribute to the complex economies and ecologies of theatre and performance in an increasingly urbanised world. Foreword by Tim Etchells